____ is a rhyming section of dialogue. In Shakespeare, it is often in iambic pentameter, using a sonnet and rhyming couplet scheme. ____ is a section that has no rhyme or rhythm. ____ characters in Shakespeare plays tend to use prose, and ____ characters use verse in important moments. A ____ is a formal poem with a fixed structure that typically has ____ lines, each with ____ syllables, and a strict ____ pattern. The lines are written in iambic ____, which means each line has five pairs of ____, with emphasis on the ____ syllable in each pair, similar to a ____. Iambic pentameter is a rhythmic pattern of ____ syllables in a line of verse, arranged into ____ metrical feet, or iambs. Each iamb is made up of an unstressed syllable followed by a stressed syllable, creating a pattern that sounds like "da-DUM da-DUM da-DUM". In other words, it sounds like a ____. This is a ____ device used by the ancient Greek and Roman poets. When ____ hear people speaking in iambic pentameter, they know that what is being spoken is ____, by and important character. Many 19th and 20th Century ____ also use iambic pentameter to add a classical sound to their work to add irony. A rhyming ____ is a pair of lines in poetry that rhyme and usually have the same ____. For example: Double, double, toil and trouble; Fire burn and cauldron ____. This is spoken by the ____ in MacBeth. In Macbeth, the witches speak in ____ tetrameter, a type of chant with a distinct rhythm that differs from the rest of the play's dialogue. Trochaic tetrameter is a line with the stress on the ____ syllable, instead of the ____ syllable (like iambic ____) and each line has ____ syllables. A trochee is the opposite of an iamb, and the witches' speech is the ____ of the iambic pentameter that other characters use, such as the nobles. The witches' speech has a sing-song quality and an ____ sound, which helps to make them seem strange, dangerous, and the opposite to how the world should be. They tell the audience that the state the world is wrong, upside-____ and that ____ things are coming.

Shakespeare terminology

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